Wonder Woman: between empowerment and imperialism
Wonder Woman, directed by Patty Jenkins, follows the origins of one of DC Comics most popular superheroes from her life among the Amazonians in the sheltered island of Themyscira to the frontlines of World War I. The film is beautifully shot, with remarkable colours, solid acting, and impeccable choreography. It cannot, however, escape its political dimensions.
Diana (played by Gal Gadot) is raised on the island, knowing that the duty of the Amazonians is to protect humanity from the corruption of Ares, Greek god of war. From its first moments, the film uses colour schemes to set up a dichotomy between the idyllic landscape of the dome-enclosed island—endless green and Mediterranean blues evoking peace—and the world outside: grey, chaotic, violent.
The duty to protect humanity against the violence of war is the driving force behind the film. Diana leaves the island because she cannot fathom that the death and destruction left behind by World War I could be anything other than the work of Ares. She vehemently defends humanity s goodness, repeatedly affirming that she need only kill Ares for mankind to return to its peaceful ways.